10th May 2004

Book Keeping

posted in The Proprietor |

Or is that one word? And if so, how many other words in non-african, non pacific islander languages can boast a double K? Not many I’ll bet. Bookkeeping. Okay, “chukker” has a double K but it sure isn’t bracketed by a pair of double vowels, now is it? No!

Supposed to be writing checks so it’s obvious why I would get hung up in AKMA’s recent excursion into worst music. I’m with him when he says that the Blender folks’ sense of what’s bad “misses the point of worst-ness by a long chalk. But the interesting point on which my post pivots - at least I hope it seems interesting to you - certainly it is more interesting to me than paying bills - the interesting area for critical assessment lies in the selections of trooly bad stuff by the Dave Barry Corporation.

Dave Barry and AKMA have similar sensibilities when it comes to schlock. So, I was surprised when I read the Barry article to find that he didn’t find Chestnut Mare as truly stupid and nauseating as AKMA does. Hmmm, I thought. Usually my thinking is accompanied by sound effects more like a popcorn popper, and frequently you smell a little electrical fire starting when i’m thinking really hard. Anyway, the “hmmm” thing is a little literary license, since who would believe me if I said “I started thinking (pop-poppa-chachok-pop), so “hmmm” it is until the English language yields another common-place referent that bespeaks the very act of thinkage.

Anyway, I had always thought that the Chestnut Mare was kind of a cartoon… sort of like when Goofy falls off the mountaintop and goes wha-hoo-hoo-hoooo all the way down. The Byrds had followed Gram Parsons of Flying Burrito Brothers fame into the country rock genre, and in fact they legitimized it with their Sweetheart of the Rodeo album. At that point in loud music history a lot of acid heads and dopers were able to connect with their internal pedal steel air guitar player, but I digress.

I think the main reason that Dave Barry ignores Chestnut Mare as one of the stupidest songs of all time is professional courtesy and a desire not to contradict himself. Barry said recently, “McGuinn remained the pivotal member of the band throughout its various incarnations, and some of his best material stems from the late ’60s/early ’70s albums, with tunes like “Chestnut Mare,” “Tiffany Queen,” “Ballad of Easy Rider,” and others.” Or maybe McGuinn said that, but he said it at the web site of the Rock Bottom Remainders, the band he is most recently guilty of inciting toward music.

So in this modern day period, when we’re all full of angst about just what it means to catch that horse and give her your brand, and wouldn’t that hurt and if Rummy did it wouldn’t I be calling for his resignation? You bet I would. At this point in time (he-he, what a great phrase that is) it seems unfair to categorize Chestnut Mare as anything but another brilliant piece of Byrd flyte. Do you get where I’m coming from AKMA?

This entry was posted on Monday, May 10th, 2024 at 4:42 and is filed under The Proprietor. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.

There are currently 2 responses to “Book Keeping”

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  1. 1 On May 10th, 2024, AKMA said:

    Id be more inclined to read it as flyte-y if there were some wink somewhere, some twitch of manifest irony. Of course, if it were too obviously ironic, McGuinn would lose the subtlety that would make the song a remarkable achievement, on your proposal but I suppose that at a certain vanishing point of irony, too much subtlety becomes as problematic as too little. Thus, if Chestnut Mare is ironic, its too subtle; and if its literal, its not nearly subtle enough. I dont see room for middle ground on this number.

  2. 2 On May 10th, 2024, fp said:

    What I think is that the Chestnut Mare music was pretty okay and the lyrics were - as we have been known to say - far out. Near as I can tell, this was part of some acid rock horse opera fantasy that McGuinn and Levy put together and it’s not fair to judge one stupid song without the context opf the rest of the stupid songs. Here’s some info on why Chestnut Mare might belong in the Officer Krupke category of weird tunes:

    http://ebni.com/byrds/relassociates10.html#levy

    Jacques Levy

    Jacques Levy was a New York clinical psychologist who became involved with musical theater in the ’60s. Levy directed the New York production of Oh, Calcutta.
    In 1969, Levy and McGuinn co-wrote the songs and book for the musical Gene Tryp, which included several of McGuinn’s best latter-day Byrds songs, including “Chestnut Mare” and “Just A Season.” Levy’s contributions were lyrical. Although David Merrick and Don Kirshner both expressed interest, Gene Tryp was never produced. McGuinn worked with Levy again on McGuinn’s first solo LP, Roger McGuinn (Columbia, 1973).
    In 1975, Bob Dylan approached Levy, expressed admiration for the songs he co-wrote with McGuinn, and asked whether they might work together. They wrote seven of the nine songs that appear on Dylan’s album Desire (Columbia, 1975). One outtake from that album, “Catfish,” a song about pitcher Catfish Hunter, showed up on The Bootleg Series 1961-1991 (Columbia, 1991).
    Levy subsequently cowrote with McGuinn on Cardiff Rose (Columbia, 1976) and Thunderbyrd (Columbia, 1977).

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