for those with regrets…

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  • Many, many people have emailed and posted regarding their regrets at not having been able to memorialize MEG on Friday. It was a small gathering, five people, two of whom didn’t really know her but who were paying their respects none-the-less. Here’s what I think… Michelle believed in love and so many of us loved, respected and admired her. When you lose someone you love, you accept it and move on. Time heals.

    We’re moving on through our sadness, but I wanted to simply steal this post from Mike Golby as a last tribute to my departed friend. Golby always finds the core of the matter:

    :: Saturday, July 29, 2024 ::

    Seasons in the Sun…

    Adieu l’Émile je t’aimais bien | Adieu l’Émile je t’aimais bien tu sais | On a chanté les mêmes vins | On a chanté les mêmes filles | On a chanté les mêmes chagrins | Adieu l’Émile je vais mourir | C’est dur de mourir au printemps tu sais | Mais je pars aux fleurs la paix dans l’âme | Car vu que tu es bon comme du pain blanc | Je sais que tu prendras soin de ma femme | Je veux qu’on rie | Je veux qu’on danse | Je veux qu’on s’amuse comme des fous | Je veux qu’on rie | Je veux qu’on danse | Quand c’est qu’on me mettra dans le trou

    Lately, Meg‘s been on my mind; more especially, yesterday and today. Unable to attend a memorial gathering for her at BlogHer, I carried my thoughts of her through the day.

    Wendy and I found ourselves scrambling up rocky paths, into forgotten caves, and along narrow ledges under soaring slabs of prehistoric stone. We were geocaching; hunting — I guess, much like John Laroche in The Orchid Thief — an elusive treasure. Laroche sought the Ghost Orchid, and his story — enjoyed by Meg, was elevated to art by Marion Orlean, Charlie Kauffman, Chris Cooper, and Meryl Streep.

    I was also seeking solace. Unable to attend the memorial — time zones and my having screwed my chances of ever finding my MSN Passport address or password precluded me joining the online link up early this morning — I spent the day reflecting on the life of a friend now gone. I’m not good at endings, so even Frank’s posts on the memorial cut me up a bit, despite his being a saint for doing so much to realize the event.

    I’ve nothing but good memories of meg. Her courage, love, and loyalty transcended in-the-world mundanities and, although she did not blog per se, she was unable to restrain herself in mails and, occasionally, her comments feature, where she’d let rip with a love of the great wide open. So I’ve been missing her.

    I’m no great believer in synchronicity (or anything for that matter), but finding my first halfway decent calla lily of winter outside a virtually inaccessible cave on the side of the mountain set it all to rest for me. If I needed a signal, a ghost orchid, an answer to any prayer, that lily you see above is it. (Originally a South African flower, the calla or arum lily does well in California and — to me — became virtually synonymous with meg’s graphic coding exercises.)

    Our walk, enhanced by my finding my lily at the mouth of the cave (the unknown, it seemed to lead into the heart of the mountain), enabled me to come to terms with a pretty hard and blunt truth; i.e. for better or worse (and I’m thinking of her here), meg is gone.

    And although she found it so difficult to accept or call on, meg left behind an abundance of love, perhaps the greatest gift any of us can give to other people. Claude‘s farewell mail reminded me of Brel. Translated by Rod Mckuen to Seasons in the Sun and made a hit by Terry Jacks, the English version — while acknowledging it — did not carry Jacques Brel’s depth and down-home earthiness.

    So it’s Brel I hear when I say “Goodbye Michelle, it’s hard…”

    Adieu ma femme je t’aimais bien | Adieu ma femme je t’aimais bien tu sais | Mais je prends le train pour le Bon Dieu | Je prends le train qui est avant le tien | Mais on prend tous le train qu’on peut | Adieu ma femme je vais mourir | C’est dur de mourir au printemps tu sais | Mais je pars aux fleurs les yeux fermés ma femme | Car vu que je les ai fermés souvent | Je sais que tu prendras soin de mon âme | Je veux qu’on rie | Je veux qu’on danse | Je veux qu’on s’amuse comme des fous | Je veux qu’on rie | Je veux qu’on danse | Quand c’est qu’on me mettra dans le trou

    Jacques Brel | Le Moribond

    :: Mike Golby 11:56 PM [+]

    Posted in People, Reflections
    2 comments on “for those with regrets…
    1. Mike Golby says:

      Friends do not steal, Frank; they take. And they do so because they give much in return. You’ve given so much already, I expect no cheese in the mail :).

      By the way, one thing my atrophying brain has worked out is that it matters not how we become friends on the Web, but that we do so. I really was trying to uncover the root of these so-called virtual friendships (why are they seemingly as meaningful as ‘in-the-world’ friendships, etc.) but, fortunately, I gave up when my brain pronounced itself ready to explode.

      I guess my theory that death merely changes the nature of all relationships holds good though: meg looks set to retain her friends till Kingdom come… though what she did to deserve us, God alone knows :).

    2. I made a new friend at this conference, Mike; and I think that while the acquaintance was nicely formed face-to-face, the friendship could flourish in [virtual reality][cyberspace] whatever the right label is for this continually evolving medium of instant communications.

      Anyway, your observation about it mattering not HOW, but rather THAT is true.

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